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wqhdoidba
Wysłany: Śro 17:59, 29 Sty 2014
Temat postu:
,
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according to hydrology and Water Resources Survey Bureau of Anqing lower reaches of the Yangtze River water level station stationmaster Liu Zhenan introduced,
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, water for one year at least, for effective water depth of navigation channel is minimal.
to deal with the low water level of Yangtze River in Anqing section of Yangtze River,
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, Anqing maritime,
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Xin'an evening news journalists Jiang Liuqiao
Core tip: into the dry season,
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, the Anqing section of the Yangtze River water level all the way down. In December 8th,
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, the Anqing section of the Yangtze River water level is only 6.71 meters.
The level of
entered the dry season,
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, the Anqing section of the Yangtze River water level all the way down. In December 8th,
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, the Anqing section of the Yangtze River water level is only 6.71 meters.
in Anqing section of Yangtze River
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yesterday at five thirty in the afternoon, the reporters came to the two golden mountain tunnel on the west side of the road. From the tunnel about 200 meters, four lanes through the fence and into a lane, funnel-shaped tunnel become blocked. With the arrival of the rush hour traffic, from west to east direction, from the "funnel" into the viaduct in Doumen.
zvswgogna
Wysłany: Śro 18:13, 22 Sty 2014
Temat postu: Vogue doc reveals a stylish war of wills
Vogue doc reveals a stylish war of wills
In fashion on the big screen, the decisive, icy editress is a stock character.
"We're a cold lot, artificial and totally lacking in sentiment," proclaimed the prototypical Maggie Prescott in Funny Face, 1957. More recently, there's been Miranda Priestly in The Devil Wears Prada and, on television, Wilhelmina Slater in Ugly Betty.
Now that the silly business of fashion has been getting the serious documentary treatment, the role has gone to Anna Wintour. The editorinchief of Vogue, she recently played the part of potentate, inscrutable and curt, on 60 Minutes. And she owns it again as the lead in The September Issue, the featurelength doc that was screened for Toronto media Tuesday. It opens in New York on Aug. 28 and is scheduled for release in Toronto on Oct. 23.
A behindthescenes account of the creation of the 840 pages that was the September 2007 issue of Vogue magazine, the movie doesn't dwell on the seamy side of the publishing industry. It leaves out the tabledancing that goes on to get the big advertising dollars that make the big fall books possible. Cutler's cinema manages to achieve.
Like Matt Tyrnauer, who directed Valentino: The Last Emperor, which was most engaging when it dealt with the relationship between the designer and his partner,[url=http://www.holisteroutlet.cc]hollister femmes[/url], Cutler concentrates on the doubleheaded eagle routine performed by Wintour and Vogue's creative director, Grace Coddington, in editing 300 hours of film to 88 minutes
What fun to watch a war of wills fought, as befits the arena, in gestures and glances captured by cinematography so close as to seem almost catty. Standing for romance there is Coddington, the compassionate intellectual with a burning bush of red hair. Champion of diets, celebrity covers and retouching there is Wintour, all precise bangs and sangfroid.
In the course of the film, there are appearances by other players. Editoratlarge Andr Leon Talley plays tennis with a Louis Vuitton towel draped round his neck like a stole. Onscreen, designer Thakoon twinkly compares Wintour to Madonna. Photographer Mario Testino considers cover options, suggesting perhaps this body with that head. Nameless consumptive ciphers come and go through hallways brimming with selections of merchandise that would make a stylist anywhere grow weak in the knees and could make a Canadian stylist, not used to such riches, go weak in the bladder.
But what the business of fashion does honour is The September Issue's portrayal of Wintour and Coddington as two seasoned, accomplished, mature, female professionals, matching wiles and relishing each other's game.
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